Movie Directors Can Depend On The Master Shot
A vintage school director of picture taking shared a filmmaking pearl of wisdom which has trapped with me before ever capturing my first movie picture. They said regardless of what sort of amazing camera shot I would want to test out as a film director (I contact it a “wonder shot”) usually shoot a simple grasp shot. Avoid getting as well fancy or adorable with it.
He recommended me to usually film a take or two utilizing a master shot if the “wonder shot” can not work out. A grasp shot can be used to cover most or most of a picture including actors. It could be as simple as locking the video camera straight down on a tripod for a static shot. Or heading handheld with the camera to check out the action. You won’t get close up information on a picture, but a grasp shot guarantees you should have the entire picture covered for post-production.
Knowing you have a master shot offers you much more versatility as a filmmaker to become innovative, take chances, and test out a scene with all of those other goes have time for. Through the shooting of my 1st movie I utilized a few “wonder shots” hoping they might come out as I envisioned them. I dreaded the idea of being in post- creation when the editor informs me a scene cannot be cut jointly or was unusable.
I am always a little anxious after filming a present because I understand post- creation will reveal any errors made during production. There is nothing perfect when coming up with movies. What an unbiased movie director hopes in order to avoid no matter what is reshoot times. I use indie film budgets that seldom enable reshoots. What I get the first time during filming is definitely what needs to be edited. There usually isn’t enough money to return to reshoot a picture to repair a problem.
Sure a few of the “wonder shots” I’ve thought we would shoot scenes didn’t come out like I experienced hoped. Some of the calls I produced as a director simply didn’t work. What saved your day? The master shots which were simple rather than fancy. I learn many things from Jos Timmer to making a perfect shot for my film.